"We have not been misled by any evil product of human skill or by any idol smeared with different colors. The sight of such things arouses the passions of foolish people and makes them desire a dead, lifeless image."
Wisdom 15, 4-5
"I will cleanse you from all your impurities and from all your idols. I will give you a new heart and put a new spirit in you; I will remove from you your heart of stone and give you a heart of flesh. And I will put my Spirit in you and move you to follow my decrees and be careful to keep my laws."
Ezekiel 36:25-27
Prologue
It was
almost 5 PM of a cold winter afternoon that promised a beautiful sunset over
the Copacabana Sea.
The
former Socopenapã beach
was only a desert area filled with cashew trees when, at the beginning of the
16th century, a small chapel was erected on a cliff to house the image of a
saint. Traders from Rio de Janeiro, called “peruleiros” due to their routine of
going and coming to the Viceroyalty of Peru, brought in one of these trips the
image of Kopa Kawana, an Our Lady in the image of an Inca princess. The
Castilian filter modified it to “Copacabana”, word that means luminous place or
lookout of the blue. The statuette had dark skin and a light blue and gold
dress. Her first home in Rio was one of the side altars of the Church of Mercy
on the Morro do Castelo.
Religious
differences made the saint lose her place in the Church of Mercy and her
destiny was a small church far, far away, built by the sea specially to shelter
her. Over time, this chapel designated the beach and the neighborhood. The
chapel came to be demolished in 1914, to be erected, in its place, the Fort of
Copacabana. The image of the saint that is currently in the church that bears
her name, in Serzedelo Correia Square, is the same, the original.
Eternalized
in the music of João de Barro, the "Braguinha", especially in the
voice of Dick Farney, Copacabana, a Princesinha do Mar, has become known
worldwide and is one of the great tourist attractions of Rio de Janeiro and
Brazil.
* * *
Sunlight
was pouring through the clouds as if trying to cast them out to let the Sun
rules majestically the entire celestial vault. It was in afternoons like that
one that she used to appear. The Lady of the Window had become an urban legend
that circulated among the tribes that frequented the beachfront of Copacabana.
Some passersby were already standing on the sidewalk and looked up to find the
window of the fourth floor of an old building. There were even those who
brought binoculars or cameras with high zoom lenses in search of a better image
of the beautiful woman. Few people knew for certain which the correct window
was, and they scoured the front of the older buildings on the block, which
contrasted with the modern ones on the beachfront.
According to reports, the Lady of
the Window appeared for a few minutes on the evening afternoons when there was
sunset. One of the most accepted theories considered her as the ghost of a
former apartment dweller who had many years ago, perhaps decades, thrown
herself out of the window in despair at the death of her beloved, and that her
inconsolable spirit remained trapped in the place. The apartment would have
been vacant ever since - no lights were ever seen at night in their rooms. Mr.
Alcides, a porter who worked for decades in the building, avoided touching the
subject, but the gossip was that he confirmed to an already dead resident that
there was really a strange love story involving the Lady of the Window.
Rumors
circulated that on some nights the neighbors of the apartment heard footsteps
in the hallway or the noise of objects being knocked down inside the apartment.
Despite numerous attempts to catch the woman, she had never been seen. No one knew
who was the owner of the property. Although all the fees were paid promptly, no
one came to inspect it.
A
homeless woman, believer and assiduous frequenter of the many Catholic Churches
in the neighborhood, said she had received a divine annunciation and she
supported the fact that the apparition in the Angelus was a Saint. Our Lady of Copacabana, patroness of the waters and of the
neighborhood, appeared to ask for the repentance of the prostitutes, addicts,
delinquents, corrupt and other sinners who infested the neighborhood mainly at
night. The supposed divine revelation did not gather many followers - the time
of the appearance of Saints had already passed...
Fans of
the cold draft beer, irreverent goers of the kiosks and pubs of the region
raised the possibility that it could be a seductive mermaid caught by a
successful businessman and fisherman who would have trapped her in his
apartment and kept her immersed in a huge whirlpool bath to take bath salts and
serve him in sexual orgies.
He would
have disappeared into the sea on one of his fishing trips and the mermaid had
come since then to the window at the end of the day to await the return of her
abductor in the hope of regaining her freedom. Another variant of this theory
associated the Lady of the Window with the Orisha Iemanjá - divinity of the sea
of Afro-Brazilian religions and protector of fishermen and sinners, thus
expanding the religious syncretism of Kopa Kawana.
Iemanjá is celebrated with a great party during the passage of the New Year. Thousands
of people dressed in white gather in Copacabana to sing and give Yemoja white
roses and objects placed in Styrofoam boats that are set loose in the waves.
The Lady of the Window was also revered in the famous sand sculptures, one of the highlights of Copacabana and what contributes for making it the most famous beach in Rio de Janeiro. These sand artists, who work in exchange for the recognition of tourists through financial contributions, portrayed the Lady of the Window sensuously and always with her gaze lost on the high seas.
The Lady of the Window was also revered in the famous sand sculptures, one of the highlights of Copacabana and what contributes for making it the most famous beach in Rio de Janeiro. These sand artists, who work in exchange for the recognition of tourists through financial contributions, portrayed the Lady of the Window sensuously and always with her gaze lost on the high seas.
The most
rational ones argued that everything was nothing more than the invention of
disqualified people: drunkards, proletarians, idlers, and fanatics of all
ideologies. They claimed that such woman would be just a chore girl doing the
periodic cleaning of the apartment. Or perhaps everything would have been an
optical illusion provoked by the sun's rays that penetrated the apartment late
in the afternoon. It was refraction in the dust particles suspended in the air
or in the dirt window pane that created an optical phenomenon where each one
saw what he wanted to.
That
afternoon, once again the Lady of the Window did not disappoint her faithful
admirers. The curious and the dreamers have caught a glimpse of the silhouette
of a woman of dazzling beauty behind the window pane, illuminated by the last
rays of the sun. She stood still for a few minutes, her gaze lost on the
encounter of the sky and sea. Excessively romantic people persisted in stating
that a tear had rolled down her face. And as before, she lowered her eyes and
slowly retreated into the shadows of the apartment as the last reddish gleams
on the horizon dissipated in the rapidly falling darkness.
It was
night.
- Your comments are welcome! -
Socopenapã - “The path of socós", in the Tupi language – Socó is a kind of bird, heron. ^RETORNAR
The Angelus occurs at three times daily: 6:00 am, noon, and 6:00 pm, usually accompanied by the ringing of a bell, which is a call to prayer and to spread good-will to everyone. The angel referred to in the prayer is Gabriel, a messenger of God who revealed to Mary that she would conceive a child to be born the Son of God. Derives from the phrase: Angelus Domini nuntiavit Mariæ – "... the Angel of the Lord declared unto Mary ..." ^RETORNAR